Looking back on 2024, it’s impossible not to feel a mix of pride and gratitude for everything this year has brought us at MAYK. From joyful, celebratory moments to challenges that pushed us to grow and change, it’s been a year full of creativity, connection and learning.

This week, we’re bringing it home to Bristol. For a while, our slogan for Mayfest was ‘This City Is Our Stage’, and we always meant that in the broadest sense – ‘ours’ as in ‘all of ours’ – a city rich in creativity and with a restless, radical spirit that runs through the work of the many artists and companies that call Bristol home.

For this blogpost, we spoke to Esther May Campbell, founder of Kitchen Table Photo Club and lead artist on MAYK’s upcoming live art and photo show 378,432,000,000 Seconds Of Exposure.

Raquel shares insights and reflection on A Crash Course in Cloudpostting’s WDR Radio Play as well as her residency in Shanghai. This blogpost includes writings from two resters Alex Wynne Schmiedel and Min Shen.

Last month, MAYK took a Reading Week – a dedicated break from the usual grind, allowing our team to step back, explore new ideas, and recharge our creative energies.

Over the last few months we’ve been doing some big thinking and, we’ve decided not to deliver a Mayfest programme in 2026.

In this blogpost we review the results from our Pudding post-show evaluations at Mayfest 2024 and share how evaluation better helps us understand cultural experiences.

Take a look back at this year's Tales of Two Cities programme with poet, facilitator and curator Aish Humphreys.

A blogpost from MAYK’s Assistant Producer Intern Rosa Picard where she recounts her time working with us over Mayfest 2024.

In this blog post, we’re sharing team highlights, the Mayfest 2024 film, shot by Dan Canham and some photos from Paul Blakemore that were taken during the festival.